In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...

Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the possibilities when vision and composition amplify the magic of the natural world ...

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

A professor at M.I.T. on how Xi Jinping is likely to respond to U.S. tariffs and why the standoff won’t weaken the Chinese ...

Aimee Semple McPherson took to the radio to spread the Gospel, but her mysterious disappearance cast a shadow on her ...

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

A legal scholar argues that the judiciary’s “passive-aggressive approach” to the Trump Administration is doomed to fail.

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor.

The Democratic Republic of the Congo has some of the largest deposits on Earth. Its President wants to sell them—and win a ...