Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.
On French wallpaper, restitution & digital technology.
“I was asked to write a five-minute orchestra work expressing the current world situation and to do it as soon as possible.” That is an interesting, possibly daunting, assignment. What was “the ...
Sabin Howard has been at the center of a battle over sculpture for over three decades. I first wrote about him in this space nearly twenty years ago, when I paid a visit to his studio in the South ...
On Shakespeare’s Tragic Art, by Rhodri Lewis.
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In 1815, the British and American navies were at war. The war in question was the economic warfare of British blockaders. It was backed by the naval strength that made possible attacks on American ...
While we are accustomed to thinking of the Spanish painter Joaquín Sorolla y Bastida (1863–1923) as an essentially cheerful figure, a man whose scenes are imbued with a refulgent Mediterranean light, ...
On Instrument of War: Music and the Making of America’s Soldiers, by David Suisman.
Purchase this and other timeless New Criterion essays in our hard-copy reprint series.
“Orphism” is what, exactly? According to Guillaume Apollinaire, who coined the term, It is the art of painting new structures out of elements which have not been borrowed from the visual sphere, but ...
The Chinese official, speaking at the Harvard Club in New York just before the turn of the century, was sobbing. The unnamed figure, recounts David M. Lampton in Living U.S.–China Relations: From Cold ...