If you’re of the camp that “OMITB” has worn out its welcome, the fifth season won’t dissuade you from that stance.

For the consecutive fourth year, I’ve trekked to Telluride for an extended Labor Day weekend. A ride from a loved one to the ...

Linklater not only pays his respects to Godard but also shares that adoration for his craft with his own audience.

A backdrop that takes us inside the upscale world of high-end hotels, art galleries, and beautiful homes, “The Girlfriend” is ...

Wake Up Dead Man” isn’t just a great mystery—in fact, the resolution of the whodunit might be the weakest of the three—but it ...

Finally, there’s the slow burn of Nanouk Leopold’s “Whitetail,” a movie so awash in immovable trauma that it sinks under the ...

There’s a similar “almost there” quality to the otherwise very different “I Swear,” a TIFF premiere that argues for ...

Palestinian filmmaker Annemarie Jacir, who has made several feature films and shorts that have explored the rich history and ...

I was never hooked on the frustratingly facile “Charlie Harper,” a movie that recalls last year’s TIFF premiere “We Live in ...

On three films from TIFF, including the latest from Master Park, a trippy fishing drama, and another adaptation of the Bard.

These would have been Park Chan Wook’s “No Other Choice,” Olivier Assayas’ “The Wizard of the Kremlin,” and “Broken English,” ...

The following is a conversation between Robert Daniels and Odie Henderson conducted over email about Spike Lee’s “Highest 2 ...