Get Access To Every Broadway Story Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Richard Wagner's Die Walküre is opera at its ...

"Die Walkuere," part two of the mighty "Das Rheingold" cycle, saw a complex drama unfold on a stark, menacing, almost empty stage that became a drama in itself, with the billows of Teutonic tragedy ...

“My Walküre turns out terribly beautiful,” Richard Wagner wrote to his friend, the composer Franz Liszt, on June 16, 1852. “I hope to submit to you the whole poem of the tetralogy before the end of ...

Atlanta Opera’s “Die Walküre,” which bows at Cobb Energy Performing Arts Center on April 27, is a notable event for multiple reasons. Not only is this the first time the work has been produced in the ...

Soprano Heidi Melton, left, as Brünnhilde and mezzo-soprano Michelle DeYoung as Sieglinde in a Dallas Symphony Orchestra concert performance of Richard Wagner's Die Walküre, led by music director Jaap ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Hawaii Opera Theatre will stage Richard Wagner's 'Die Walküre' on February ...

Watch Richard Wagner: Die Walküre At the Berlin State Opera 235 min Watch the programme To open the Strasbourg Philharmic Orchestra's 2023-2024, conductor Aziz Shokhakimov has brought together the ...

MILAN, ItalyMILAN, Italy — No speeches from the orchestra pit this time. No tear-gassing of demonstrators outside. No parade of political and social celebrities. But the season’s second performance of ...

Die Walküre is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National ...

Experience a Wagnerian event for the ages starring Christine Goerke as the willful warrior Brünnhilde alongside Stuart Skelton, Eva-Maria Westbroek and Greer Grimsley. Philippe Jordan conducts. Set in ...

Opera conductors can seem like vaguely superfluous figures, lurking below the lip of the stage, desperately trying to coax a pit band, wayward divas, and creaky sets into a semblance of synchronicity.